![]() Do not use an Oxford Academic personal account. When on the society site, please use the credentials provided by that society.If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways: If you cannot sign in, please contact your librarian. ![]() If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Informed on Billy Corben’s documentaries Cocaine Cowboys (two installments) and Max Marmelstein’s criminal autobiography The Man Who Made It Snow, this chapter examines Griselda Blanco’s brutality as a narca in the U.S., her relationship with Pablo Escobar, and her volatile marriages and partners’ suspicious deaths, as well as her position in the drug trade, where her extreme cruelty kept her hitmen both in check and in constant admiration. Also worthy of note is the Colombian influence on cocaine trafficking in Miami, where extreme violence and cash flow changed the city’s character from a mecca for retirees to a refashioned Wild West. This is evidenced by the emergence of two biographies, the telenovela La viuda negra, and extensive press coverage, all of which invariably compare her notoriety to that of Escobar. It argues that Blanco’s posthumous celebrity status in popular culture took place once the media’s interest in Escobar and narcocultura became a well-established trend. This chapter explores the mediac rebirth of Colombia’s so-called Cocaine Queen of the 1970s, whose criminal reign extended from Medellín to New York and Miami.
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